In the "The Truman Show," Jim Carrey plays "Truman" whose life is broadcast live on television for the world to see. It's the epitome of reality TV being broadcast 24 hours a day, and unbeknownst to Truman, his entire life is both real and fictional -- from school to sunsets to relationships. Truman struggles as he grows older to understand what is real and what is not real.
The viewers of the show were entertained by the repetitive, mundane, and seemingly real nature of Truman. I think the premise of this movie provides an extreme example of what Horkheimer and Adorno are referencing in their article.
Max Horkheimer & Theodor Adorno, “The Culture Industry: Enlightenment as Mass Deception,” in Dialectic of Enlightenment (New York: Continuum, 1969), 120-67.
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